Worldview

http://www.michelangelo.com/buon/bio-index2.html-

This the link of my source.

                  Michelangelo's worldview was Knowledge, Society, Geography and belief. His worldview was Knowledge because he keeps on working with the knowledge that he has. He made a sculpture and studied Anatomy. In his time, there are no technologies and gadgets, so the only thing they had to is study so that they can have enough knowledge.
                  His worldview was also society because when the scandal happened, Michelangelo was accused of heresy. He did even have his revenge. the whole society was affected because of just one person.
                  Geography was also one of his worldview because he travelled to different places such as Rome to examine different classical statues and ruins. Michelangelo did painted some of his paintings in the sistine chapel.
                 Belief is also one of his worldview because almost all his paintings are religious. Here are some of his work that is according to Religion, David, Pieta and The Last Judgment. For me, he is devoted to God and he believes in the power of God.
                 Those are the Worldview of Michelangelo. I hope you  enjoy reading my blog.

Again, Thanks for looking in my blog!!

Hope you Enjoy!

BYE!!!!!!

My Final Days

Hi I'm back and its still me, Michelangelo and I am going to tell you about the final days of my life. Let's begin!

The Commission

The idea of commissioning an enormous fresco, the largest ever painted in that Century, depicting the "The Last Judgment." I went to Rome and after two days, the current Pope died and his successor, confirmed the commision to me. The Last Judgment that I made in 1541 was the largest fresco in Renaissance, it depicts the Judgment Day. I portrayed all the figures naked and as time passes, cultural climate became more conservative. I painted my own image in a flayed skin of St. Bartholomew.

The Scandal

Even before its official unveiling, the judgment became the target of violent criticism of a moral character. Too good I'm not slow to take my revenge. They accused me of Heresy. These included Pietro Aretino, who, in a famous letter, even called for the fresco's destruction, the Dominican Preacher Ambrogio Politi and Giovanni Andrea Gilio.

My Love

In 1538, three years before finishing the Last Judgment, I had met Vittoria Colonna, a poetess and a highly cultivated woman who was one of the most influential figures in Viterbo Circle. Between me and Vittoria, age doesn't really matter. I was 61 and she's 46. A very deep and meaningful friendship have developed. One might say that its a pure LOVE, inspired by poetry and faith. Vittoria and I are so in love and the most intense part of our relationship was described in the Dialogues of Francisco de Hollanda which lasted in 1547 in Colonna's death. I made poems to her inspired by "Cruel and Beautiful" woman, seen in these verses as the object  an unattainable desire.
Me as an Architect
My crowning achievement as an architect was my work at St. Peter's Basilica wherein I was made as cheief architect in 1546. The building was being constructed by Donato Bramante's plan, but I was responsible in the altar end of the building on the exterior and for the final form when its done.
My Death
I died on February 18, 1564 because of a "slow fever." I am giving myself to God completely without hesitation. My last Will and Testament was in three sentences, " My soul to God. My body to Earth. My material possessions to my nearest relations."

Thank You for looking at my blog. Thats my story and I hope you understand my life at the time of the Renaissance.

Michelangelo

http://www.michelangelo.com/buon/bio-index2.html

EARLY LIFE

              Hi, my name is Michelangelo di Lodovico Buonarroti Simoni, you can call me Michelangelo for short. I am one of the greatest artist of my time. I was born on March 6, 1475 in a town near Florence. I am the second of five brothers. Although I am born in a small village in Caprese, I considered myself as the "son of Florence" and so as my father.  My mother died when I was only 6 years of age. I lived with my father which is a nobleman. . My name become synonymous with the word "masterpiece." My father soon recognized my intelligence. When I was young, I lack trust in my fellows so while I am studying Principles of Latin, I made friends with Francesco Grannaci which is six years older than me.  

When I turned 13 years old, I worked on the workshop of the painter named Domenico Ghirlandaio. I went on to study at the sculpture school in the Medici gardens called San Marco. During the years I spent in the Garden of San Marco, I began to study human anatomy. I produced atleast two relief sculptures by the time I was 16 years old,  Battle of the Centaurs and Madonna of the Stairs in 1489-1492 at Casa Buonarroti, Florence. I recount my first two works in my diary, " In my first work was a small bas relief which is Madonna of the Stairs. Mary sits on the rock of the Church. She sees his son's death. My second work was another small bas relief. My tutor told me the story of the Battle of the Lapiths against the Centaurs." After the death of Lorenzo the Magnificent and also the influence of Savonarola, the Florentines were divided into several rival factions, the Arribiati, Piagnoni and Paleschi. The Arribiati means enraged, they wanted to reestablish an oligarchic republic dominated by the powerful Medici. The Piagnoni means weepers, led by Savonarola and his followers were recruited from all levels of society and fought fanatically for a purely religious state. The Paleschi were the official defenders of the Medici. They sought to perpetuate the status quo.  Lorenzo the Magnificent has a son named Piero Medici but he was not capable of governing Florence with the skill and diplomacy of his father.
FIRST ROMAN SOJOURN
I went to Rome where I can examine many unhearted classical statues and ruins. At about the same time, I did the marble Pieta in 1498-1500 still in its original place in St. Peter's Basilica.
MID-YEARS


Michelangelo painted this on the Sistine chapel.



This is the sculpture of David



In May 1508, I began to make preparatory designs for the Sistine Chapel. It was not until the fall that I started the actual painting in the Sistine chapel calling Giuliano Bugiardini, Aristotele da Sangallo and his old friend, Francesco Granacci, along with a number of laborers. I also did the sculpture of David between 1501 and 1504. It is a 5.17 metre (17 feet). It is a marble statue of a standing naked male. The sculpture of David is one of my masterpiece. The statue was placed in a public square, outside the Palazzo della Signoria, the seat of the civic government of Florence where it was unveiled on September 8, 1504. In 1534, I left Florence forever. My decision never to return was certainly was certainly influenced by the open hostility of Duke Alessandro de Medici.